Transitions: Twenty Photographers / One Photograph
Transitions is based on the Surrealist game “Exquisite Corps” and features 20 local photographers collaborating to create a responsive, mystery artwork.
Transitions is based on the Surrealist game “Exquisite Corps” and features 20 local photographers collaborating to create a responsive, mystery artwork.
With images sourced from YouTube featuring teen and young adult “how-to” videos, Odell uses the archived clips to reconstruct new observations.
A photographic documentation of Jewish places of worship and communal gathering, past and present—still extant, but unoccupied or repurposed—merged with related historical photographs from local archives and collections.
Reinterpreting Nancy Ford Cones pairs her pictorialist photographs alongside smartphone photos submitted via social media that reinterpret her images.
The Columbus Museum of Art presents an installation of Isaac Julien’s landmark 1989 film Looking for Langston alongside a selection of related photographic works.
Domus Oculi is a contemporary camera obscura viewing room—a freestanding structure using repurposed lenses from antiquated visual technologies to create a transitory archive.
Comprised of photographs from a diverse cross-section of artists from the gallery archives and collections, Time, Space, and Place provides glimpses into the past and new narratives.
World premiere of lens-based works by renowned British conceptual artist Gillian Wearing, exploring themes of identity, interior experience, and self-exposure.
Paris to New York: Photographs by Eugène Atget and Berenice Abbott explores the encounter between American photographer Berenice Abbott (1898–1991) and French photographer Eugène Atget (1857–1927) during the 1920s—an encounter that would have profound and lasting effects on the careers and legacies of both artists.
In Place of Forgetting is an interactive multi-channel audio-visual installation exploring the contemporary overabundance of memory and its impact on the quality of the experiences we attempt to remember.