Artist Emily Hanako Momohara worked with a team of youth apprentices to make artwork for and about the community at the Academy of World Languages and Health Hub.
Drawing from art history, visual culture, and her community of muses, Mickalene Thomas and the artists of tête-à-tête redefine concepts of beauty and challenge current societal traditions.
Highlighting uncertainty and contradiction, Truth or Dare emphasizes the importance of questioning both knowledge and belief by featuring artists that utilize illusion to entice, entertain, and explore the slippery terrain between fact and fiction, presence and absence, reality and imagination.
Displacement: Collective Practice to Recover Memory is a site-specific multi-media installation and collaboration with artist Juan-Sí González, Rosewood Arts Centre, the City of Kettering, and area residents.
An old child’s bank, in the guise of a safe, contains documentation and evidence of a life lived. Can the viewer find meaning from this anonymous archive of images and information to understand the time in which they were saved, from what place, and for what purpose?
Artists Lorena Molina, Gina Osterloh and Carman Winant form the foundation for this group show that portrays the female experience though photographs, videos, film, and performance.
Vanguard composer and pianist Vijay Iyer and Nigerian-American writer and photographer Teju Cole perform the powerful interdisciplinary collaboration Blind Spot.
Domus Oculi is a contemporary camera obscura viewing room—a freestanding structure using repurposed lenses from antiquated visual technologies to create a transitory archive.
Painters often draw from existing visual materials, such as photographs and reproductions of past works of art, to inspire and construct their work. Swedish artist Mamma Andersson known for her dreamlike, faintly narrative compositions inspired by Nordic painting, folk art, newspaper photographs, and cinema—is no exception.
In an interdisciplinary practice that positions lens-based media as both specimen and subterfuge, Zaatari participates in the discourse against photography and its complex archival legacy.
