tête-à-tête
In dialogue with Muse and curated by artist Mickalene Thomas, tête-à-tête features photographs by ten artists who inspire Thomas including Renée Cox, LaToya Ruby Frazier, Zanele Muholi, and Carrie May Weems.
In dialogue with Muse and curated by artist Mickalene Thomas, tête-à-tête features photographs by ten artists who inspire Thomas including Renée Cox, LaToya Ruby Frazier, Zanele Muholi, and Carrie May Weems.
Outside/In/Inside/Out presents archived images that have documented the history of human space travel through the lens of astronauts and the Hubble telescope.
Photographer Michael Wilson led this project–a selected group exhibition of regional and national photographers with workshops designed to better understand the process of printing photographs in the darkroom.
A photographic documentation of Jewish places of worship and communal gathering, past and present—still extant, but unoccupied or repurposed—merged with related historical photographs from local archives and collections.
Reinterpreting Nancy Ford Cones pairs her pictorialist photographs alongside smartphone photos submitted via social media that reinterpret her images.
Domus Oculi is a contemporary camera obscura viewing room—a freestanding structure using repurposed lenses from antiquated visual technologies to create a transitory archive.
Comprised of photographs from a diverse cross-section of artists from the gallery archives and collections, Time, Space, and Place provides glimpses into the past and new narratives.
Paris to New York: Photographs by Eugène Atget and Berenice Abbott explores the encounter between American photographer Berenice Abbott (1898–1991) and French photographer Eugène Atget (1857–1927) during the 1920s—an encounter that would have profound and lasting effects on the careers and legacies of both artists.
In Place of Forgetting is an interactive multi-channel audio-visual installation exploring the contemporary overabundance of memory and its impact on the quality of the experiences we attempt to remember.
An adventurous survey of iconoclastic artists utilizing the medium of photography to produce bodies of work that focus on the unseen worlds of society’s outsiders: the obsessive, odd, and obscene.